plume de biche

#mask, masque, blanc de geisha, faux cils, visage, sommeil, intériosé.

Masque de Ji Hye

Piéger la beauté

2010

Ji Hye Mask

Beauty trap

2010

Ce qu’il reste des étangs. 2014 terre, émail. 20,1x10cm

What remains ponds. 2014 earth enamel. 20,1x10cm

Bassine. Statuette de terre crue, acrylique, avec assortiment de pierres interchangeables. 2017

Trembler les cauchemars

2011

Remplissage d’eau noire dans le bassin des ateliers Alain Lebras de Nantes.

Sous l’eau, tentative d’immersion de baffles qui diffusent une playlist de bonne musique dépressive dont les sons parviennent jusqu’à la surface , tandis que le tremblement des basses sur ces enceintes vont troubler la surface lisse. Intervention impromptue lors du vernissage d’un certain jeune homme, qui fera littéralement voler en éclat la dite surface en se jetant à poil et en battant des mains comme un gamin pendant de longues minutes.

Le but de cette installation était simplement de rendre à la musique son pouvoir magique de dispersion des humeurs, bonnes ou mauvaises et celui de faire trembler les peurs.

Shake the nightmares

2011

Black water in the basin filling workshops Alain Lebras Nantes.

Underwater, attempted dumping of speakers that broadcast a playlist depressive good music whose sounds reach to the surface, while the trembling bass on these speakers will disturb the smooth surface.

Impromptu intervention golds the opening of a guy, who will literally shatter the said surface by jumping naked and clapping her 
hands like a child for several minutes .

The purpose of this installation was simply to make music his magicpower dispersion moods, good or bad and that to shake fears.

A mouth covered with fur fingers dangling . Flowers are afflicted stress forgiveness , the perfect blanket to keep silence in absolutesilence. It is a body as a soul who is bored to the radius of the 
moon curtain burned by the silky care .

Muzzle Cotton, synthetic fur, ribbon, fabric flowers 2014

Broken glass necklace

Silver, armored glass breakage .
Onyxs

2014

Larmes du dimanche : Lisses d’espoir au cou miroir délice d’y voir les vices en changeant le corps en parure, l’apparence en nature, les décadences en fuite plongées des épaules meurtries mais dignes de porter l’entièreté même de ces rejets du corps, délassés où richesse et pauvreté se mêlent. Verre à filer, fil de laiton, grelots. 2007

Tears of the Sun: Smooth hope to delight mirror neck to see in it the vices by changing the body adornment , appearance in kind, decadence fleeing dives bruised shoulder but worthy to wear the same entirety of these releases the body relaxed where wealth and poverty mingle. Spinning glass , brass wire , bells. 
2007

Modèle: Sarah Ménal

Molts
Digital photography and installation in the pavilion prototypeRahm
Lieu Unique Nantes 2008

A deconstruction of the rigid form of tutu a flexible renewal natural forms, according to the body of those doors.

The lodge Fratellini 08

Exhibition " After Eden "at the Lieu Unique, Nantes. In the climate of Philippe Rahm pavilion prototype with anarchist tutus,masks,latex gloves fur. Loge dancers for the " Operetta concrete music " Michel Aubry and David Legrand, regularly changed by them. Of coke, loose shoes, and other attributes of the modern girl shoving this ethereal atmosphere.

Dimension exchange with the outside world of his person and ownership shaman materials to draw the substrates and to perpetuate his human race, with chemical and spiritual elements that compose it. Issue to run in the air nymphs without calculatingthe azure which measures violated laws of life experienced by people. A false mask where the only elevation is the disappearing behind the decorative and luxurious mass. The interest may be sizzling to see the face of oblivion.

Paper mask, rhinestone crystal pearl varnish

Performance avec le groupe L’individualiste.

Crédit Photo : Séverine Hubard

Performance / The individualist with the band

Photo: Séverine Hubard

Lieu Unique, Nantes  2009